Sahara Benelux, Ocubo
Netherlands
Rental & staging, Hospitality
Christie D20WU-HS
Neo-Gothic Cathedral Bathes in the GLOW
Projection Mapping - Neo-Gothic Cathedral Bathes in the GLOW
Projection Mapping - Neo-Gothic Cathedral Bathes in the GLOW
The twin towers of Sint-Catharinakerk (St Catherine’s Church) are a dramatic feature on the skyline of the Dutch city of Eindhoven. Christened ‘David’ and ‘Maria’ the 73-metre high towers are a striking, neo-Gothic design that draw inspiration from the famous Chartres Cathedral in France. When the architect, Pierre Cuypers, designed the cathedral he could well have imagined the impact the towers would have on the landscape of the city, but not have foreseen the breath-taking transformation of the cathedral building and the city when the GLOW festival, a showcase for projection mapping, is held each year. A week-long event in November, GLOW Eindhoven is an opportunity for artists from home and abroad to use the buildings and public spaces of the city as a backdrop for their ‘light art’ installations. The results are always spectacular and the 2018 festival attracted a record 750,000 visitors to the city.
One of the central works this year was Confluence, a projection mapping installation by OCUBO, a Sintra-based agency and the creative force behind similar installations across the globe. OCUBO was a creative partner of the first GLOW in 2008 and the team was delighted to make a return a decade later with Carole Purnelle, CEO, also taking up the position of moderator of this year’s festival conference. The theme of the work was inspired by the location of Sint-Catharinakerk: the cathedral stands close to the meeting point of two important waterways in Eindhoven, the River Dommel and the Eindhoven Canal. The concept of fluidity and the joining of waterways, light and shade can be seen in the diverse range of images in motion that cascade and meld together across the façade of the building. This ‘kinetic’ work of art also sees two virtual dancers guide the viewer through the narrative, with flourishes of colour to emphasise the stunning architecture in an array of eye-catching geometric combinations.
As Carole Purnelle commented: “When we came up with the idea of Confluence, we knew we had struck on approach that could fit in with the overall mood of GLOW; that is, contemporary but visually experimental. We needed projectors that could deliver excellent images in high definition clarity and were delighted with the performance of the Christie projectors.”
Supplied by Sahara Benelux, a total of 12 Christie D20WU-HS projectors were used on the project. Robin van der Heiden, Manager at Sahara Benelux, who was involved with the project from the beginning, was delighted with how the projection installation came together: “Due to the nature of the project we were looking for a versatile projector that could deliver 3DLP levels of performance but in a more compact form factor. Christie D20WU-HS was the ideal solution and delivered on all counts; it was easy to set up and install and the performance and images were more than we could have hoped for from such a compact machine.”
With a 20K lumen output and weighing less than 42 kg this 1DLP® projector has the best lumen-to-weight ratio available on the market. This makes the model particularly suitable for live events and temporary installations such as GLOW. The lightweight construction makes it easy to lift, ship and install, especially when used with the optional rigging frame. The omnidirectional capability gives plenty of installation and creative flexibility and the compatibility with Christie Twist®, the D20WU-HS gives creatives and users the tools needed to quickly and easily set up and align irregular screens and multi-projector displays.
Images © Bart van Overbeeke, 2018